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The arches and vaults are described in gilded silver, the wing panels are in enamel and in their colourisation, figuration and perspective, seem intended to evoke stained-glass windows. [6] Created in the International Gothic style. The Virgin and Christ child are situated in an arched canopy, flanked by two angels.
Angel of the Resurrection is a massive stained glass window by the American Art Nouveau glass manufacturer Tiffany Studios, now in the collection of the Indianapolis Museum of Art (IMA). It was commissioned by former- First Lady Mary Dimmick Harrison as a memorial to her husband, President Benjamin Harrison .
Stained glass windows in houses were particularly popular in the Victorian era and many domestic examples survive. In their simplest form they typically depict birds and flowers in small panels, often surrounded with machine-made cathedral glass which, despite what the name suggests, is pale-coloured and textured. Some large homes have splendid ...
With the use of her long dark hair and features made somewhat more androgynous, they created a prototype Victorian angel which would appear in paintings and stained glass windows. Roger Homan notes that Edward Burne-Jones and others used her image often and in different ways, creating a new type of angel. [19]
Main article: Geoffrey Webb (artist) Webb's maker's mark, from a window in Holy Trinity Church, Coventry, West Midlands The Nativity window in St Nicholas' Church, Thames Ditton, Surrey The following is a list of the extant works of Geoffrey Fuller Webb (1879–1954), an English stained-glass artist and designer of church furnishings, based for most of his career in East Grinstead. He was a ...
The studio designed its murals, twenty stained glass windows (including the glass ceiling of the dome), [12] lighting fixtures, carpets, and even the bronze ark for the Torah. The studio also created the mosaics on the synagogue's façade, whose colors remain vibrant after nearly ninety years.
The Flamboyant windows gradually abandoned mosaic-like appearance of the early stained glass windows, and came more and more to resemble paintings. [ 21 ] One distinctive feature of the flamboyant was a curvilinear design of the stone mullions within the arched top of windows which, with some imagination, resembled flames agitated by the wind.
While most of the work of Wailes' workshop is to be found in the North of England, other commissions came from further afield. The most significant window glazed by the firm, and one of the prize commissions of the industry, was the glazing of the west window of Gloucester Cathedral, an enormous window of c.1430 in the Perpendicular Gothic style, of nine lights and four tiers.
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