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The heavens declare the glory of God; and the firmament sheweth his handywork. Day unto day uttereth speech, and night unto night sheweth knowledge. There is no speech nor language, where their voice is not heard. Their line is gone out through all the earth, and their words to the end of the world. In them hath he set a tabernacle for the sun,
God is a powerful and immortal being worshipped by angels, His first creation, since before the existence of matter and time. The Earth was His creation. Because of this, angels spent much time admiring His handiwork and singing His praises. However, God does not appear to be omniscient or even entirely omnibenevolent. Despite assurances ...
Aring Sinukûan (Kapampangan mythology): sun god of war and death, taught the early inhabitants the industry of metallurgy, wood cutting, rice culture and even waging war [22] Lakandánup (Kapampangan mythology): serpent goddess who comes during total eclipses; followed by famine; eats a person's shadow, which will result in withering and death ...
While such observation is of course not the basis of my faith, it is supportive of it, as Psalm 19:1 states, “The heavens declare the glory of God, and the firmament showeth His handiwork ...
An Earth god or Earth goddess is a deification of the Earth associated with a figure with chthonic or terrestrial attributes. There are many different Earth goddesses and gods in many different cultures mythology. However, Earth is usually portrayed as a goddess. Earth goddesses are often associated with the chthonic deities of the underworld. [1]
Annotated image of Xipe Totec sculpture. In Aztec mythology, Xipe Totec (/ ˈ ʃ iː p ə ˈ t oʊ t ɛ k /; Classical Nahuatl: Xīpe Totēc [ˈʃiːpe ˈtoteːk(ʷ)]) or Xipetotec [3] ("Our Lord the Flayed One") [4] was a life-death-rebirth deity, god of agriculture, vegetation, the east, spring, goldsmiths, silversmiths, liberation, deadly warfare, the seasons, [5] and the earth. [6]
(The intimate connection between "holy war" and the "one true god" belief of monotheism has been noted by many scholars, including Jonathan Kirsch in his book God Against The Gods: The History of the War Between Monotheism and Polytheism and Joseph Campbell in The Masks of God, Vol. 3: Occidental Mythology.) [1] [2]
Nergal (Sumerian: 𒀭𒄊𒀕𒃲 [1] d KIŠ.UNU or d GÌR.UNU.GAL; [2] Hebrew: נֵרְגַל, Modern: Nergal, Tiberian: Nērgal; Aramaic: ܢܸܪܓܲܠ; [3] Latin: Nirgal) was a Mesopotamian god worshiped through all periods of Mesopotamian history, from Early Dynastic to Neo-Babylonian times, with a few attestations indicating that his cult survived into the period of Achaemenid domination.