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The biblical description states that the breastplate was also to be made from the same material as the ephod—embroidery of 3 colors of dyed wool and linen—and was to be 1 ⁄ 3 of a cubit squared, two layers thick, and with four rows of three engraved gems embedded in gold settings upon it, one setting for each stone. [1]
St. Jerome, referencing Josephus, said the Foundation Stones of the New Jerusalem (Revelation 21:19–20) would be appropriate for Christians. [3]: 294 In the eighth and ninth centuries, religious treatises associating a particular stone with an apostle were written so that "their name would be inscribed on the Foundation Stones, and his virtue."
Urim (אוּרִים ) traditionally has been taken to derive from a root meaning "lights"; these derivations are reflected in the Neqqudot of the Masoretic Text. [3] In consequence, Urim and Thummim has traditionally been translated as "lights and perfections" (by Theodotion, for example), or, by taking the phrase allegorically, as meaning "revelation and truth" or "doctrine and truth."
According to Latter Day Saint theology, the two stones found in the breastplate of Aaron in the Old Testament, the white stone referenced in the Book of Revelation in the New Testament, the two stones bound by silver bows into a set of spectacles (interpreters) that movement founder Joseph Smith said he found buried in the hill Cumorah with the ...
The Jews Collecting the Twelve Stones from the River Jordan by Pieter Coecke van Aelst (c. 1535–38). The Twelve Stones (Hebrew: מצבות, romanized: maṣṣəwoṯ) are steles, a common form of marking a spectacular religious event in the days of Kingdom of Judah before the time of King Josiah (Deuteronomy 27:1–8). [1]
Carnelian - Hebrew אֹדֶם ʾōḏem, Greek σάρδιον sardion; Latin sardius; the first stone of the breastplate (Exodus 28:17, 39:10) representing Ruben; also the first among the stones of the King of Tyre (Ezekiel 28:13); the sixth foundation stone of the celestial city (Revelations 21:19).
A contact sheet shows photographs taken at the Stones' legendary free concert in Hyde Park, London, in the summer of 1969. - Spanish Tony Media/Bayliss Rare Books “Spanish Tony was a hard man.
A 21st-century artistic representation of Joseph Smith translating the golden plates by examining a seer stone in his hat. In 1823, Smith said that an angel told him of the existence of golden plates along with "two stones in silver bows" fastened to a breastplate that the angel said God had prepared for translating the plates. [25]
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