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Edythe Mae Gordon (c. 1897 – 1980) was an African-American writer of short stories and poetry during the era of the Harlem Renaissance.Gordon primarily published her work in the Quill Club, a Boston-based publication founded by her husband Eugene Gordon and other figures of the Harlem Renaissance such as Helene Johnson and Dorothy West.
Winifred Emma May (4 June 1907 – 28 August 1990) was a poet from the United Kingdom, best known for her work under the pen name Patience Strong.Her poems were usually short, simple and imbued with sentimentality, the beauty of nature and inner strength.
The poem is infused by the fact that Coleridge took an idealised view of his life with Fricker. [10] The Eolian Harp was published in the 1796 edition of Coleridge's poems and in all subsequent collections. [11] Coleridge did not stop working on the poem after it was published. He expanded and reworked up until 1817. [12]
George Herman notes that this expected role of the "three-person'd God" brings together the poem with the image of a bigger force needed for redemption: Herman proposes that "God the Father needs to break rather than knock at the heart, God the Holy Ghost to blow rather than breathe, and God the Son to burn rather than shine on the 'heart-town ...
The "Type" column is color-coded, with a green font indicating poems for or about friends, a magenta font marking his famous poems about his Lesbia, and a red font indicating invective poems. The "Addressee(s)" column cites the person to whom Catullus addresses the poem, which ranges from friends, enemies, targets of political satire, and even ...
The last ten poems consist of a coda of 4 poems in elegiac couplets, 3 in hendecasyllables, 2 in scazons, and 1 poem in elegiac couplets. [14] Kloss argues that if the poems were a miscellaneous anthology, they would presumably have contained poems in other metres too, such as the iambic (84 and 87), aeolic (85, 89) or hexameter (95) metres ...
The first (op. 27.1) was the final stanza of Meditation 12, “Glorious in his apparel", which was composed as a marriage anthem for his sister-in-law in September 1946. The second (op. 27.2) was a setting of two internal stanzas from Meditation 20, “God is gone up with a triumphant shout”, commissioned for the 1951 St. Cecilia Festival ...
"Neutral Tones" is a poem written by Thomas Hardy in 1867. Forming part of his 1898 collection Wessex Poems and Other Verses , it is the most widely praised of his early poems. [ 1 ] It is about the end of a relationship, and carries strong emotional appeal despite its "neutral tones".