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Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
It is listed in the Roud Folk Song Index, number 10075. The title is biblical, based on Luke 9:62. The earliest date in which this spiritual appears in written form is in 1917, in the Cecil Sharp Collection, while the earliest recording is from 1930 under the title of "Keep Yo' Hand on the Plow, Hold On" by the Hall Johnson Negro Choir. [1]
People Get Ready: A New History of Black Gospel Music. New York: Continuum International Publishing Group. ISBN 0-8264-1752-3. Koskoff, Ellen, ed. (2000). Garland Encyclopedia of World Music, Volume 3: The United States and Canada. Garland Publishing. ISBN 0-8240-4944-6. National Conference on Music of the Civil War Era (2004).
"Somebody's Knocking at Your Door", sometimes given as "Somebody's Knocking" and "Somebody's Knockin ' at Yo' Door", is a spiritual. The song's music and text has no known author, [1] but originated among enslaved African-Americans on Plantation complexes in the Southern United States sometime in the early 19th century.
"Down by the Riverside" (also known as "Ain't Gonna Study War No More" and "Gonna lay down my burden") is an African-American spiritual.Its roots date back to before the American Civil War, [1] though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. [2]
This generated two distinctive African American slave musical forms, the spiritual (sung music usually telling a story) and the field holler (sung or chanted music usually involving repetition of the leader's line). [1] We Are Climbing Jacob's Ladder is a spiritual. [1] As a folk song originating in a repressed culture, the song's origins are lost.