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Hair of The Dog was Nazareth's first big hit album (aside from the minor success of Razamanaz), including classics such as the title track, a version of The Everly Brothers' "Love Hurts" (on the US version, but not the Canadian/European, it replaced the original "Guilty"), "Beggars Day" and "Please Don't Judas Me".
Back to the Trenches is a double live album by the Scottish hard rock band Nazareth, released in 2001.A collection of thirty-one live tracks taken from the soundboards of six concerts, on both sides of the Atlantic, between 1972 and 1984, only nine of these tunes are featured on the band's acclaimed 1981 double live album 'Snaz.
Nazareth performing in March 1976. Nazareth formed in December 1968 in Dunfermline, Scotland, from the remaining members of semi-professional local group the Shadettes (formed in 1961) by vocalist Dan McCafferty, guitarist Manny Charlton, bassist Pete Agnew, and drummer Darrell Sweet. [6] They were inspired by the Beatles and the Rolling Stones ...
'Snaz is a double live album by the Scottish hard rock band Nazareth, released in September 1981. [3]The title is rendered on the album artwork in all-capital letters, and when the gatefold-sleeve is opened, the title appears as "IT'SNAZ", but only " 'SNAZ" is seen on the front cover when closed.
Year Album Peak chart positions UK [15]US [16]1981 'Snaz: 78 83 1991 BBC Radio 1 Live in Concert — — 1998 Live at the Beeb — — 2001 Back to the Trenches
The most basic three-chord progressions of Western harmony have only major chords. In each key, three chords are designated with the Roman numerals (of musical notation): The tonic (I), the subdominant (IV), and the dominant (V). While the chords of each three-chord progression are numbered (I, IV, and V), they appear in other orders. [f] [18]
Nazareth is the debut album by the Scottish hard rock band Nazareth, released in 1971. [4] The album featured the hit single "Dear John" and a cover of "Morning Dew." [5]
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).