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The quarter tone scale may be primarily a theoretical construct in Arabic music. The quarter tone gives musicians a "conceptual map" they can use to discuss and compare intervals by number of quarter tones, and this may be one of the reasons it accompanies a renewed interest in theory, with instruction in music theory a mainstream requirement ...
Dialogue, for two pianos tuned a quarter-tone apart, eight hands, W.o.O. (1959) Dithyrambe, for two pianos tuned a quarter-tone apart, Op. 12 (1923–1924) Études sur les mouvements rotatoires, for two pianos tuned a quarter-tone apart, eight hands, Op. 45a.; for chamber orchestra, Op. 45c (1961)
Mildred Couper (December 10, 1887 in Buenos Aires, Argentina – August 9, 1974 [1] in Santa Barbara, United States) was a prominent composer and pianist, and one of the first American musicians to experiment with quarter-tone music. She was based in Santa Barbara, California.
A septimal quarter tone (in music) is an interval with the ratio of 36:35, which is the difference between the septimal minor third and the Just minor third, or about 48.77 cents wide. The name derives from the interval being the 7-limit approximation of a quarter tone .
In music, the major fourth and minor fifth, also known as the paramajor fourth and paraminor fifth, are intervals from the quarter-tone scale, named by Ivan Wyschnegradsky to describe the tones surrounding the tritone (F ♯ /G ♭) found in the more familiar twelve-tone scale, [1] as shown in the table below:
In Germany, Austria, and Czechoslovakia in the 1910s and 1920s the usual term continued to be Viertelton-Musik (quarter tone music [36] [page needed]), and the type of intervallic structure found in such music was called the Vierteltonsystem, [37] [38] which was (in the mentioned region) regarded as the main term for referring to music with ...
Comparison between tunings: Pythagorean, equal-tempered, quarter-comma meantone, and others.For each, the common origin is arbitrarily chosen as C. The degrees are arranged in the order or the cycle of fifths; as in each of these tunings except just intonation all fifths are of the same size, the tunings appear as straight lines, the slope indicating the relative tempering with respect to ...
Wyschnegradsky in Paris, c. 1930. Ivan Alexandrovich Wyschnegradsky [n 1] (US: / v ɪ ʃ n ə ˈ ɡ r ɑː d s k i / vish-ne-GROD-skee; Russian: Ива́н Алекса́ндрович Вышнегра́дский May 14 [O.S. 2 May] 1893 – September 29, 1979), was a Russian composer primarily known for his microtonal compositions, including the quarter tone scale (24-tet: 50 cents) utilized ...
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