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[11] [17] With the advent of the radio broadcasting, sheet music sales of popular songs decreased and print figures failed to make a significant recovery after the World War II (1940s). [11] Exact figures are lacking, but in the 1950s, sheet music sales averaged 300,000 annually. [18]
"Hallelujah!" is a 1992 song from Handel's Messiah: A Soulful Celebration, a Grammy award winning Reprise Records concept album. The song is a soulful re-interpretation of the "Hallelujah" chorus from Messiah , George Frideric Handel 's well-known oratorio from 1741.
The Library of Congress: Historic American Sheet Music: 1850–1920: American: 3,042 19th and early 20th-century American sheet music drawn from the Rare Book, Manuscript, and Special Collections Library at Duke University. The Library of Congress: The Library of Congress: Music for the Nation: American Sheet Music 1870–1885: 19th-century ...
Philip Paul Bliss. Philip Paul Bliss (9 July 1838 – 29 December 1876) was an American composer, conductor, writer of hymns and a bass-baritone [1] Gospel singer.He wrote many well-known hymns, including "Hold the Fort" (1870), "Almost Persuaded" (1871); "Hallelujah, What a Saviour!"
Hallelujah written in Modern Hebrew. Hallelujah (/ ˌ h æ l ə ˈ l uː j ə / HAL-ə-LOO-yə; Biblical Hebrew: הַלְלוּ־יָהּ , romanized: haləlū-Yāh, Modern Hebrew: הַלְּלוּ־יָהּ , romanized: halləlū-Yāh, lit. 'praise Yah') is an interjection from the Hebrew language, used as an expression of gratitude to God.
"Hallelujah" is a song written by Canadian singer Leonard Cohen, originally released on his album Various Positions (1984). Achieving little initial success, [ 1 ] the song found greater popular acclaim through a new version recorded by John Cale in 1991.
Mainstream audiences, on the other hand, will appreciate the context and the pairing of song and subject: Hallelujah mixes sex and spirituality, as did the libidinous Buddhist." [ 17 ] Xan Brooks' 3/5-star review for The Guardian said, "while it may be a fool's errand to frame Leonard Cohen's life and times through the prism of just one song ...
Part II closes with the Hallelujah chorus which became famous as a stand-alone piece, set in the key of D major with trumpets and timpani. The choir introduces Hallelujah , repeated in homophony , in a characteristic simple motif for the word, playing with the interval of a second , which re-appears throughout the piece.
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