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Since its creation, Thuluth has given rise to a variety of scripts used in calligraphy and over time has allowed numerous modifications. Jeli Thuluth was developed for use in large panels, such as those on tombstones. The Muhaqqaq script was developed by widening the horizontal sections [clarification needed] of the letters in Thuluth.
Ibn al-Bawwāb (Arabic: إِبْن ٱلْبَوَّاب), also known as Ali ibn-Hilal, Abu'l-Hasan, and Ibn al-Sitri, was an Arabic calligrapher and illuminator who lived in Baghdad. [1] He is the figure most associated with the adoption of round script to transcribe the Qur'an. [2] He most likely died around 1022 CE in Baghdad. [3]
Lex Mahumet pseudoprophete (English: Law of Muhammad the pseudo-prophet/false prophet) is the translation of the Qur'an into Medieval Latin by Robert of Ketton (c. 1110 – 1160 AD). It is the earliest translation of the Qur'an into a Western European language .
Islamic calligraphy is the artistic practice of penmanship and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It is a highly stylized and structured form of handwriting that follows artistic conventions and is often used for Islamic religious texts , architecture , and decoration . [ 2 ]
Naskh [a] is a smaller, round script of Islamic calligraphy.Naskh is one of the first scripts of Islamic calligraphy to develop, commonly used in writing administrative documents and for transcribing books, including the Qur’an, because of its easy legibility.
The Blue Quran. The Blue Qur'an (Arabic: المصحف الأزرق al-Muṣḥaf al-′Azraq) is a late 9th to early 10th-century Tunisian Qur'an manuscript in Kufic calligraphy, probably created in North Africa for the Great Mosque of Kairouan. [37]
The Quran of Toledo is a 1606 manuscript copy of the Quran translated completely into a variety of Castilian in Latin script, [1] probably in Villafeliche. [2] It is held as manuscrito 235 at the Biblioteca de Castilla-La Mancha [ es ] in Toledo . [ 2 ]
Made into a eunuch, he was converted to Islam as Abu’l-Majd Jamal al-Din Yaqut, better known as Yaqut al-Musta‘simi because he served Caliph al-Musta‘sim, the last Abbasid caliph. [4] He was a slave in the court of al-Musta'sim and went on to become a calligrapher in the Royal Court. He spent most of his life in Baghdad. [5]