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Home altars often contain a cross or crucifix, an image of Jesus Christ, a copy of the Bible (especially a Family Bible), a breviary and/or other prayer book, a daily devotional, and prayer beads, among other religious articles specific to the individual's Christian denomination, for example, the images of the saints for Catholics, the Small ...
From the 15th century in the Netherlands onwards, it was more usual to show the non-Biblical subject of the Holy Family resting on the journey, the Rest on the Flight to Egypt, often accompanied by angels, and in earlier images sometimes an older boy who may represent, James the Brother of the Lord, interpreted as a son of Joseph, by a previous ...
The Feast of the Holy Family is a liturgical celebration in the Catholic Church, as well as in many Lutheran and Anglican churches, in honour of Jesus of Nazareth, his mother, the Blessed Virgin Mary, and his foster father, Saint Joseph, as a family. [4] The primary purpose of this feast is to present the Holy Family as a model for Christian ...
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
None of this was so during the first few centuries of the Christian movement, and remembering why—and how those early Christians designated themselves and each other—can offer lessons for today.
Such images functioned as powerful relics as well as icons, and their images were naturally seen as authoritative as to the true appearance of the subject: naturally and especially because of the reluctance to accept mere human productions as embodying anything of the divine, a commonplace of Christian deprecation of man-made "idols". Like ...
The Christian cross, seen as representing the crucifixion of Jesus, is a symbol of Christianity. [1] It is related to the crucifix , a cross that includes a corpus (a representation of Jesus' body, usually three-dimensional) and to the more general family of cross symbols .
From the middle of the 4th century, after Christianity was legalized by the Edict of Milan in 313, and gained Imperial favour, there was a new range of images of Christ the King, [47] using either of the two physical types described above, but adopting the costume and often the poses of Imperial iconography.