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The grand staff. When music on two staves is joined by a brace, or is intended to be played at once by a single performer (usually a keyboard instrument or harp), a grand staff (American English) or great stave (British English) is created. [dubious – discuss] Typically, the upper staff uses a treble clef and the lower staff has a bass clef.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Roller-type rastrum which can draw two staff sizes. In recent years, rastra made of five ballpoint pens have been marketed to students and composers. It was common in primary and secondary schools to use rastra that use chalk on a chalk board for music education. They may be called staff liners. An alternative is to use a chalk board with staff ...
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
Non-pitched percussion notation on a conventional staff once commonly employed the bass clef, but the neutral clef (or "percussion clef"), consisting of two parallel vertical lines, is usually preferred now. It is usual to label each instrument and technique the first time it is introduced, or to add an explanatory footnote, to clarify this.
$19 billion gaming giant Roblox issues staff a return-to-work ultimatum: ‘Join our three-day, in-office schedule or take a severance package’ Orianna Rosa Royle October 19, 2023 at 4:38 AM
A C-clef on the second line of the staff is called the mezzo-soprano clef, rarely used in modern Western classical music. It was used in 17th century French orchestral music for the second viola or first tenor part ('taille') by such composers as Lully, and for mezzo-soprano voices in operatic roles, notably by Claudio Monteverdi . [ 7 ]
Many more recent publications (newer music or newer editions of older music) dispense with the naturals (unless the new key signature is C major) and simply insert the new signature. Similarly, when a flat key changes to fewer flats, or a sharp key changes to fewer sharps, the convention was to use naturals to cancel the flats or sharps that ...