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Sony Lens Adapter E/A 4 2013 Mount adapter 35mm 160g LA-EA4 for A-mount lenses on full-frame E-mount camera, SLT-PD-AF with all AF lenses. [41] Sony Lens Adapter E/A 5 2020 Mount adapter 35mm 88g LA-EA5 only compatible with certain camera/lens combinations, [42] uses camera's on-sensor PD/CD AF (no mirror). [43] Sony Lens Adapter E/B 1 2019
8mm T3.1 Cine UMC FISH-EYE II Cine Lens [351] 8mm T3.8 VDSLR UMC Fish-eye CS II Cine Lens [352] 10mm T3.1 VDSLR ED AS NCS CS II Cine Lens [353] 12mm T2.2 Cine NCS CS Cine Lens [354] 16mm T2.2 VDSLR ED AS UMC CS II Cine Lens [355] 21mm T1.5 ED AS UMC CS Cine Lens [356] 35mm T1.3 AS UMC CS Cine Lens [357] 50mm T1.3 AS UMC CS Cine Lens [358] Photo ...
DPReview has a database of digital cameras, lenses, printers and desktop imaging software packages. Camera product pages contain full specifications, product and sample images, user reviews [4] and links to other internal and external resources. The product database offers browse, search and compare features. [18] [19] [20]
The Sony FE 90mm F2.8 Macro G OSS is a full-frame macro prime lens for the Sony E-mount, announced by Sony on 4 March 2015.. As of June 2017, the 90mm Macro lens is one of only 3 E-mount lenses manufactured by Sony that are specifically designed for macro photography, with the others being the Sony FE 50mm F2.8 Macro and Sony E 30mm F3.5 Macro lenses.
Though designed for Sony's full frame E-mount cameras, the lens can be used on Sony's APS-C E-mount camera bodies. [ 2 ] The 70-300mm F4.5-5.6 G lens is one of the least expensive G-series lens Sony makes, is popular among weight-sensitive landscape photographers, wildlife photographers, and hobbyists who want G-lens quality and the extra reach ...
Given its unusually high 1:4 (0.25x) image reproduction ratio, the 100mm GM lens can be considered a pseudo-macro lens. Though designed for Sony's full frame E-mount cameras, the lens can be used on Sony's APS-C E-mount camera bodies, with an equivalent full-frame field-of-view of 150mm.
Wide open the lens is rather soft but stopping down to f / 5.6 yields very sharp results. That way portraits shot wide open render soft with a very nice bokeh. [3]Distortion is very low and vignetting negligible, but the culprit of this lens is chromatic aberration which is very strong wide open and becomes acceptable only by stopping down towards f / 5.6.
The Sony FE 70-200mm F4.0 G OSS is a full-frame constant maximum aperture, telephoto zoom lens for the Sony E-mount, announced by Sony in 2013. [1] [2]The 70-200mm F4.0 G lens is popular among weight-sensitive landscape photographers and hobbyists who want G-lens quality without spending thousands of dollars on a heavier, faster aperture telephoto lens.