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Kai's Power Tools 6 features a lens flare effect for precisely managing the type of glow, halo, streaks, and reflection. The addition of a library of preset effects helps to overcome this by allowing the user to choose a standard effect and then interactively position the flare in the image preview.
Boris Continuum Complete is a special effects plug-in package that works in conjunction with Adobe Creative Suite, including CS6, Avid editing and finishing systems such as Sony Vegas Pro, and Apple Final Cut Pro.
Lens flare on Borobudur stairs to enhance the sense of ascending. A lens flare is often deliberately used to invoke a sense of drama. A lens flare is also useful when added to an artificial or modified image composition because it adds a sense of realism, implying that the image is an un-edited original photograph of a "real life" scene.
Apertures blades of camera. Iris diaphragms with moving blades are used in most modern camera lenses to restrict the light received by the film or sensor. While manufacturers attempt to make the aperture circular for a pleasing bokeh, when stopped down to high f-numbers (small apertures), its shape tends towards a polygon with the same number of sides as blades.
The artifacts are especially common with compact or ultra-compact cameras, where the short distance between the lens and the built-in flash decreases the angle of light reflection toward the lens, directly illuminating the aspect of the particles facing the lens and increasing the camera's ability to capture the light reflected from normally ...
In photography, a lens hood or lens shade is a device used on the front end of a lens to block the Sun or other light source(s) to prevent glare and lens flare. [1] Lens hoods may also be used to protect the lens from scratches and the elements without having to put on a lens cover. The geometry of a lens hood is dependent on three parameters ...
The 1961 35 mm f / 3.5 PC-Nikkor lens—the first perspective-control lens for a 35 mm camera. In photography, a perspective-control lens allows the photographer to control the appearance of perspective in the image; the lens can be moved parallel to the film or sensor, providing the equivalent of corresponding view camera movements.
Leica could reach a good bokeh at f/4.5. Today it is much easier to make an f/1.8 lens, and a 9-bladed lens at f/1.8 is enough for an 85 mm lens to achieve great bokeh. Some lens manufacturers including Nikon, [17] Minolta, and Sony make lenses designed with specific controls to change the rendering of the out-of-focus areas.
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