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The Human Centipede (First Sequence) is a 2009 Dutch independent body horror film written, directed and co-produced by Tom Six.The film concerns a deranged German surgeon who kidnaps three tourists and conjoins them surgically, mouth to anus, forming the eponymous "human centipede".
The Human Centipede 2 (Full Sequence) is a 2011 psychological body horror film [4] written, directed, and co-produced by Tom Six.An international co-production of the Netherlands and the United States, and the sequel to Six's 2009 film The Human Centipede (First Sequence), the film stars Laurence R. Harvey as a psychiatrically and intellectually impaired English man who watches and becomes ...
The Human Centipede 3 (Final Sequence) is a 2015 black comedy body horror film written and directed by Tom Six and starring Dieter Laser and Laurence R. Harvey, the leading actors from the first two films in new roles, Robert LaSardo, Tommy "Tiny" Lister, Jay Tavare, Eric Roberts, Bree Olson, Clayton Rohner, and Bill Hutchens as well as a cameo by Six.
Tom Six, the director behind the controversial Human Centipede movies, has made an ominous promise about his next movie. Human Centipede director's next movie is 'vile and inhumane' Skip to main ...
Tom Six's idea was that each of the three sequences of The Human Centipede can stand on their own as a self-contained film, or they can be connected into a single 4.5 hour-long movie. The Human Centipede 2 begins where the original ends, while The Human Centipede 3 begins where The Human Centipede 2 ends; therefore, the three films together ...
Dr.Heiter from The Human Centipede A deranged German surgeon kidnaps three people and sews them together, forming a centipede. This character is perhaps the most disturbed horror character (and ...
The Human Centipede II (Full Sequence) "Offensive" depictions of violence and high impact cruelty Originally passed with an R18+ rating; banned on appeal after release (screening in capital cities and at festivals, even into the week prior to its ban on review).
It’s become an annual ritual: Every Jan. 1, more classic works of art or characters enter the public domain, and exploitation filmmakers with a tiny budget and a big taste for grisliness are ...
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