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IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
Open E tuning is a tuning for guitar: low to high, E-B-E-G ♯-B-E. [1] Compared to standard tuning, two strings are two semitones higher and one string is one semitone higher. The intervals are identical to those found in open D tuning. In fact, it is common for players to keep their guitar tuned to open d and place a capo over the second fret.
Rocky Top is a subpeak of Thunderhead Mountain, which overlooks Cades Cove, and is traversed by the Appalachian Trail. [22] Rocky Top appears on maps of the western Smokies as early as 1934, [23] and has been a popular hiking destination since the Great Smoky Mountains National Park was created during the same period. The rocky outcropping at ...
the root note (e.g. C ♯) the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords) whether the chord is a triad, seventh chord, or an extended chord (e.g. Δ 7) any altered notes (e.g. sharp five, or ♯ 5) any added tones (e.g. add2)
Before making it big in Knoxville, the University of Tennessee's signature tune was hiding on the B-side of an Osborne Brothers album.
"You're the Reason God Made Oklahoma", was the most successful of seven country hits by the duo, staying number one on the country chart for one week and 11 weeks in the Top 40 country chart. [ 1 ] Felice and Boudleaux Bryant , the writers of the song " Rocky Top ", sued Collins and Pinkard for copyright infringement concerning this song ...
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In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means that they usually support a melody originally designed for the tonic (I) chord.