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A yukata (浴衣, lit. ' bathrobe ') is an unlined cotton summer kimono, [1] worn in casual settings such as summer festivals and to nearby bathhouses. The name is translated literally as "bathing cloth" and yukata originally were worn as bathrobes; their modern use is much broader, and are a common sight in Japan during summer.
Pages in category "1990s photographs" The following 38 pages are in this category, out of 38 total. ... The Vulture and the Little Girl; Y. Yo Mama's Last Supper
The term "indie sleaze" was coined in 2021, the same year that the style became popular again through TikTok, by an Instagram account dedicated to the aesthetic, @indiesleaze, launched by a woman named Olivia V. [8] The term was inspired by indie music, the 2000s magazine Sleaze, and the Uffie lyric "I'll make your sleazy dreams come true."
In the late 1990s, the Bob cut was well-desired, popularized and rejuvenated by Victoria Beckham of the Spice Girls. This late 1990s style bob cut featured a center, side, or zig-zag part, as opposed to the thick bangs of the early 1990s. The Farrah Fawcett hairstyle made a comeback, with highlights going hand-in-hand with this revival. [125]
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The kawaii aesthetic is characterized by soft or pastel colors, rounded shapes, and features which evoke vulnerability, such as big eyes and small mouths, and has become a prominent aspect of Japanese popular culture, influencing entertainment (including toys and idols), fashion (such as Lolita fashion), advertising, and product design.
The first African-American Playmate of the Year was Renee Tenison in 1990. Darine Stern was the first African-American model featured on the cover of Playboy magazine by herself (Oct. 1971), but she was never a playmate. Jennifer Jackson Miss March 1965 (first African-American to be a centerfold)
Shibuya-kei (Japanese: 渋谷系, lit. "Shibuya style") is a microgenre [7] of pop music [1] or a general aesthetic [8] that flourished in Japan in the mid-to-late 1990s. [3] The music genre is distinguished by a "cut-and-paste" approach that was inspired by the kitsch, fusion, and artifice from certain music styles of the past. [9]