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"Shake 'Em On Down" was recorded September 2, 1937, by White on vocal and guitar with an unidentified second guitarist. [2] The song is a moderate-tempo twelve-bar blues notated in 4/4 time in the key of E. [3] Music writer Mark Humphrey has described the rhythm as "shuffling" and its lyrics as "risqué": [4]
Antonio Vivaldi used this key for the "Spring" concerto from The Four Seasons.. Johann Sebastian Bach used E major for a violin concerto, as well as for his third partita for solo violin; the key is especially appropriate for the latter piece because its tonic (E) and subdominant (A) correspond to open strings on the violin, enhancing the tone colour (and ease of playing) of the bariolage in ...
Tab lines may be numbered 1 through 6 instead, representing standard string numbering, where "1" is the high E string, "2" is the B string, etc. Also, the order of lines is not standardized. Some tablature is written in pitch order, with the high "e" string on top, and descending in pitch order to the low "E" string on the bottom.
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
the root note (e.g. C ♯) the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords) whether the chord is a triad, seventh chord, or an extended chord (e.g. Δ 7) any altered notes (e.g. sharp five, or ♯ 5) any added tones (e.g. add2)
F ♭ is a common enharmonic equivalent of E, but is not regarded as the same note. F ♭ is commonly found after E ♭ in the same measure in pieces where E ♭ is in the key signature, in order to represent a diatonic, rather than a chromatic semitone; writing an E ♭ with a following E ♮ is regarded as a chromatic alteration of one scale ...
The universal key or universal scale is a concept employed in music theory in which specific notes or chord symbols in a key signature are replaced with numbers or Roman numerals, so that the relationships between notes or chords can be universally applied to any key signature.
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
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