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The paper of woodblocks are often made of wood fibers and may react to non-archival quality storage materials. For example, if stored in paper folders, the prints can become acidic. Using acid-free storage materials can prevent these acidic processes.
Halftone, the use of black and white in a pattern that is perceived as shades of grey (may be extended also to color images) Monochromacy, a type of color vision deficiency; Monochromatic color; Monochrome monitor, used with computers; Monochrome photography, also known as black-and-white photography
The Betty lamp differs from earlier oil/grease lamps in that it uses an internal wick holder to eliminate fuel drip common with older lamp designs. This internal wick holder feature made the Betty lamp design very popular. The Betty lamp is likely a natural evolution of the Crusie lamp concept. The Crusie lamp consists of two lamp pans, one ...
Around the mid-1400s, block-books, woodcut books with both text and images, usually carved in the same block, emerged as a cheaper alternative to manuscripts and books printed with movable type. These were all short heavily illustrated works, the bestsellers of the day, repeated in many different block-book versions: the Ars moriendi and the ...
The andon is a lamp consisting of paper stretched over a frame of bamboo, wood or metal. [1] The paper protected the flame from the wind. Burning oil in a stone, metal, or ceramic holder, with a wick of cotton or pith, provided the light. They were usually open on the top and bottom, with one side that could be lifted to provide access. [2]
The Block Lamp is a lightfitting designed by Finnish designer Harri Koskinen, and produced by Design House Stockholm. It is a seemingly simple design of a lightbulb held inside two shaped pieces of clear glass, measurements 10.2 x 15.9 x 8.9 cm (4" x 6.3" x 3.5"). [ 1 ]
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Aizuri-e (藍摺り絵, "indigo printed pictures"), Murasaki-e (紫絵, "purple pictures"), and other styles in which a single color was used in addition to, or instead of, black ink; Urushi-e (漆絵) —a method that thickened the ink with glue, emboldening the image. Printers often used gold, mica, and other substances to enhance the image ...