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"Tea for Two" is a 1924 song composed by Vincent Youmans, with lyrics by Irving Caesar. [ 4 ] [ 5 ] It was introduced in May 1924 by Phyllis Cleveland and John Barker during the Chicago pre- Broadway run of the musical No, No, Nanette .
Tahiti Trot (Russian: Таити трот, romanized: Taiti trot) (or Tea for Two), [1] Op. 16, is an arrangement for symphony orchestra by Dmitri Shostakovich of the song "Tea for Two" from the musical No, No, Nanette by Vincent Youmans. It was composed in 1927 and resulted from a bet between the composer and the score's dedicatee, Nicolai Malko.
[2] [6] The musical was translated into various languages and enjoyed regional productions, U.S. tours and international success through the end of the decade. [6] It was made into films in both 1930 and 1940, with both film adaptations featuring ZaSu Pitts. A 1950 film, Tea for Two, was a very loose adaptation of
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
She also suggests that the poem expresses "Stevens's delicately implicit trope of drinking tea as a metaphor for reading (ingesting a drink from leaves)." [5] She notes that Stevens was a tea-fancier. [6] Robert Buttel characterizes this poem as light, witty, and rococo, and as displaying compression, concentration, and precision.
Tea for Two may refer to: "Tea for Two" (song), a 1924 popular song by Vincent Youmans and Irving Caesar; Tea for Two (1950), a Doris Day album; Tea for Two (1950), a movie starring Doris Day; Tea for Two, Australian television series; Tahiti Trot, Op. 16, Dmitri Shostakovich's 1927 orchestration of "Tea for Two"
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Lu Tong (pinyin: Lú Tóng; Wade–Giles: Lu T'ung; simplified Chinese: 卢仝; traditional Chinese: 盧仝; 790–835), pseudonym Yuchuanzi (Chinese: 玉川子), was a Chinese poet of the Tang dynasty, known for his lifelong study of Chinese tea culture. He never became an official, and is better known for his love of tea than his poetry. [1] [2]