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In music, consonance and dissonance are categorizations of simultaneous or successive sounds.Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. [1]
At the beginning of the 20th century, composers of classical music were experimenting with an increasingly dissonant pitch language, which sometimes yielded atonal pieces. . Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a neoclassic style, which sought to recapture the balanced ...
Classical music generally refers to the art music of the Western world, ... The music became more chromatic, dissonant, and tonally colorful, with tensions ...
The emancipation of the dissonance was a concept or goal put forth by composer Arnold Schoenberg and others, including his pupil Anton Webern, who styled it The Path to the New Music. The phrase first appears in Schoenberg's 1926 essay "Opinion or Insight?". [1] It may be described as a metanarrative to justify atonality.
The use of perfect fourths and fifths to sound in parallel with and to "thicken" the melodic line was prevalent in music prior to the European polyphonic music of the Middle Ages. In the 13th century, the fourth and fifth together were the concordantiae mediae (middle consonances) after the unison and octave, and before the thirds and sixths.
Dominant seventh tritone "strict resolution" (in C): a dissonance of a d5 resolves stepwise inwards to a consonance of a M3 or its inversion, a dissonance of an A4, resolves stepwise outwards to a consonance of a m6. [1] Play inward ⓘ or outward ⓘ Regular resolution in F major Play ⓘ. One common tone, two notes move by half step motion ...
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Atonality in its broadest sense is music that lacks a tonal center, or key. [1] Atonality, in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. [2]