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Apart from manufacturing 'problem-solver' audio products such as the RaxX expandable 19" rack-mounting system, MTR distributes the Dutch stageClix digital wireless system for guitars, basses, microphones etc., Mcgregor UK-made mixer-amplifiers, power amplifiers, speakers, karaoke systems, the Californian A-Designs boutique audio products ...
A typical, simple application combines signals from microphones on stage into an amplifier that drives one set of loudspeakers for the audience. A DJ mixer may have only two channels, for mixing two record players. A coffeehouse's small stage might only have a six-channel mixer, enough for two singer-guitarists and a percussionist.
Sound reinforcement in a large format system typically involves a signal path that starts with the signal inputs, which may be instrument pickups (on an electric guitar or electric bass) or a microphone that a vocalist is singing into or a microphone placed in front of an instrument or guitar amplifier.
By the 1970s and 1980s, though, portable PA systems were typically sold as three-piece sets: an amp-mixer containing a small mixer (with four to six channels) and a power amplifier integrated into a single amp head-style chassis with a handle, and two separate PA speakers. The speakers were typically connected to the amp-mixer with speaker cables.
The Yamaha PM5D-RH(remote head-amp) was all of the functionality of a PM5D in a 10 space rack that only required a PM5D-RH control surface. In 2007, Yamaha won a Technical Grammy for its NS-10 studio monitor , a speaker that dominated the mixing of pop and rock music throughout the world for at least 20 years. [ 6 ]
XG sound board for (unknown) karaoke machine, audio inputs are suitable for microphone instead of line levels; Modular Synthesis Plug-in System MSPS plug-in sound board, supported by Motif series, MU series, S series, CS6x/CS6R, etc.. [40] PLG150-AN — Analog physical modeling synthesis, similar to AN1x
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