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Prior to founding the Collective, Barnes in 1983 founded the Barnes-Blackman Gallery in partnership with The Ensemble Theatre with art shown part-time in the theater's lobby prior to each performance. [5] [6] Its purpose was to bring "the African-American community into the arts at every level, from making art to administering programs." [2]
The De Luxe Show was an art exhibition held from August to September 1971 at the DeLuxe Theater in Houston's Fifth Ward.Organized by African American artist Peter Bradley and arts patron John de Menil with the mission of bringing contemporary art into a low-income, predominantly Black community, The De Luxe Show was one of the first racially integrated art exhibitions in the United States and ...
Alvia J. Wardlaw (born November 5, 1947) is an American art scholar, and one of the country's top experts on African-American art. [1] She is Curator and Director of the University Museum at Texas Southern University, an institution central to the development of art by African Americans in Houston.
Project Row Houses is a development in the Third Ward area of Houston, Texas. Project Row Houses includes a group of shotgun houses restored in the 1990s. [2] Eight houses serve as studios for visiting artists. [3] Those houses are art studios for art related to African-American themes. A row behind the art studio houses single mothers. [2]
He had his second solo show at the DuBose Gallery the following year. [5] In the years after his graduation from Texas Southern University, Oliver became an integral part of the Houston art scene. He was the first African-American artist in Houston to be represented by a major commercial gallery. [10]
In Collision: The Contemporary Art Scene in Houston, 1972–1985, author Pete Gershon writes, "Very much in line with the Black Arts Movement, Lott's work involved a kind of community-building social practice. It was common for him to hire a pack of loitering kids to dismantle a castoff bedspring and sort out its components.
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