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The most common tuplet [9] is the triplet (German Triole, French triolet, Italian terzina or tripletta, Spanish tresillo).Whereas normally two quarter notes (crotchets) are the same duration as a half note (minim), three triplet quarter notes have that same duration, so the duration of a triplet quarter note is 2 ⁄ 3 the duration of a standard quarter note.
Tuplet A tuplet is a group of notes that would not normally fit into the rhythmic space they occupy. The example shown is a quarter-note triplet—three quarter notes are to be played in the space that would normally contain two. (To determine how many "normal" notes are being replaced by the tuplet, it is sometimes necessary to examine the ...
With a the shorter and b the longer legs of a triangle and c its hypotenuse, the Pythagoras family of triplets is defined by c − b = 1, the Plato family by c − b = 2, and the Fermat family by | a − b | = 1. The Stifel sequence produces all primitive triplets of the Pythagoras family, and the Ozanam sequence produces all primitive triples ...
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A 1‑tuple is called a single (or singleton), a 2‑tuple is called an ordered pair or couple, and a 3‑tuple is called a triple (or triplet). The number n can be any nonnegative integer . For example, a complex number can be represented as a 2‑tuple of reals, a quaternion can be represented as a 4‑tuple, an octonion can be represented as ...
The form stems from medieval French poetry and seems to have had its origin in Picardy. [2] The earliest written examples are from the late 13th century. In this century, possibly the earliest surviving triolet is from "Li Roumans dou Chastelain de Couci et de la Dame de Fayel", where it is referred to as simply a song ("chanson"). [3]
In music, a thirty-second note (American) or demisemiquaver (British) is a note played for 1 ⁄ 32 of the duration of a whole note (or semibreve).It lasts half as long as a sixteenth note (or semiquaver) and twice as long as a sixty-fourth (or hemidemisemiquaver).
The more common form, caturaśra Rūpaka, has a laghu of four beats and so a total beat pattern of 2 + 4. [6] Carnatic music also has an "informal" system of tālas, which uses a selection of the formal tālas. These include the septuple Tripuṭa, to which is added a Cāpu (fast) version of it, called miśra Cāpu (3 + 2 + 2, or 3 + 4).