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Working quickly, a thin layer (usually one to three millimeters) of finish plaster is applied over a wall face before the plaster begins to congeal in the bucket. Over a period of a few hours, as the plaster chemically sets on the wall, it is periodically smoothed or textured using hand trowels, until the desired finish is achieved. When a wall ...
Lime or gypsum plaster is then applied, typically using a wooden board as the application tool. The applier drags the board upward over the wall, forcing the plaster into the gaps between the lath and leaving a layer on the front the depth of the temporary guides, typically about 1 ⁄ 4 inch (6.4 mm). A helper feeds new plaster onto the board ...
Glass: Sgraffito can be seen in both blown and stained glass windows, where skilled artisans carve intricate designs into the surface of the glass, creating stunning visual effects when illuminated. Enamel : In the realm of enamelwork, sgraffito techniques are utilized to carve designs into the enamel surface, adding texture and dimension to ...
Delftware wall tiles, typically with a painted design covering only one (rather small) blue and white tile, were ubiquitous in Holland and widely exported over Northern Europe from the 16th century on, replacing many local industries. Several 18th century royal palaces had porcelain rooms with the walls entirely covered in porcelain in tiles or ...
Overglaze decoration, overglaze enamelling, or on-glaze decoration, is a method of decorating pottery, most often porcelain, where the coloured decoration is applied on top of the already fired and glazed surface, and then fixed in a second firing at a relatively low temperature, often in a muffle kiln. It is often described as producing ...
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This was done by putting a layer of semi-transparent enamel over the whole surface of the glass, and, when it was dry, but before it was fired, using a small stiff hog's hair brush to brush out the graded lights and half-tones. This allowed much greater realism and detail, and moved stained glass art even closer to painting. [21]
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