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Guanyin statue as pose of The Guanyin of the Southern Seas in Avalokitesvara Buddhist temple at Pematangsiantar, North Sumatra, Indonesia Similarly in Japan, several local manifestations of Guanyin, known there primarily as Kannon or, reflecting an older pronunciation, Kwannon, have also been developed natively, supplanting some Japanese ...
The statue has three aspects: one side faces inland and the other two face the South China Sea, to represent blessing and protection by Guanyin of China and the whole world. One aspect depicts Guanyin cradling a sutra in the left hand and gesturing the Vitaraka Mudra with the right; the second with her palms crossed, holding a string of prayer ...
One of its attractions is the 3-sided Guanyin of Nanshan (Goddess of Mercy) statue and at 354 feet (108m) high, is the tallest Guanyin statue in the world. [5] [6] There is also another Buddhist statue nearby in Nanshan temple, the Golden Jade Kwan-yin Statue (Avalokiteshvara, Goddess of Compassion). The Statue is considered to be a national ...
Sitting Statue of Saint Guanyin. Statue of Saint Guanyin sits in the lotus posture with a lotus or the Yujingping in hand, wearing Keyura, necklaces and decorations and a precious crown on the head. [1] There is a sitting statue of Amitabha (阿彌陀佛) on the crown, which is the main symbol of Guanyin. [1]
In English: Homage to Guanyin Bodhisattva. There are also longer chants, usually termed "White Robed Guanyin" (Baiyin Guanyin) sutras (jing) or mantras (zhou). [39] The most well known is the "Divine White-robed Guanyin Mantra" (c. 11th century). [39] This longer mantra is as follows: [40]
Ruyilun Guanyin. The Guan Yin (Avalokiteśvara) Statue has a height of 76 metres, comprising a 70-metre-tall bronze-cast white Guan Yin statue (including a three-tier bronze lotus platform) built upon a 6-metre high granite base. The statue is coated with white fluorocarbon self-cleaning paint and is modeled on sculptures of the Song dynasty.
The eldest thing in the temple is the statue of Thousand-armed and eyed Guanyin, which was supposed carved by ancient Indian monk Yilisha (一粒沙). [2] It was transformed and expanded many times throughout Chinese history until now. There are dozens of which are built after the Ming dynasty (1368–1644).
Shiva, Chola bronze, 12th-century Chinese wooden Guanyin in "royal ease" pose, Song dynasty. Lalitasana is a pose or mudra in Indian art and the art of dharmic religions in other countries.
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