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Edward Lear (12 May 1812 [1] [2] – 29 January 1888) was an English artist, illustrator, musician, author and poet, who is known mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised.
Other nonsense verse makes use of nonsense words—words without a clear meaning or any meaning at all. Lewis Carroll and Edward Lear both made good use of this type of nonsense in some of their verse. These poems are well formed in terms of grammar and syntax, and each nonsense word is of a clear part of speech.
Literary nonsense (or nonsense literature) is a broad categorization of literature that balances elements that make sense with some that do not, with the effect of subverting language conventions or logical reasoning. [1] Even though the most well-known form of literary nonsense is nonsense verse, the genre is present in many forms of literature.
Nonsense verse is the verse form of literary nonsense, a genre that can manifest in many other ways. Its best-known exponent is Edward Lear, author of The Owl and the Pussycat and hundreds of limericks. Nonsense verse is part of a long line of tradition predating Lear: the nursery rhyme Hey Diddle Diddle could also
In 1872, Lear began work on "The Scroobious Pip", but it was unfinished by the time of his death. [1]In 1935, the poem, which had not been previously published, was released as a collectors' edition, of which 950 copies were printed.
The page for "nonsense verse" had been used in the past for issues of genre, but I'm trying to establish this one, literary nonsense, as the genre label. It is the accepted label in the field of literature and, importantly, more accurate, since much nonsense is not written as verse.
Much like Grande's EP, "Fruitcake" blends contemporary pop production, wintry innuendos, and Carpenter's signature wit to great effect: "A Nonsense Christmas" is a festive twist on her viral hit ...
It was Gertrude who inspired his great nonsense mock-epic The Hunting of the Snark (1876), and the book is dedicated to her, and opens with a poem that uses her name as a double acrostic. [1] Carroll first became friends with Gertrude in 1875, when she was aged nine and he was forty-three, while on holiday at the English seaside resort of ...