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The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1]
The Harlem Renaissance from 1920 to 1940 brought worldwide attention to African American literature. For many years, especially in the 1920s, Harlem was home to a flourishing of social thought and culture that took place among numerous Black artists, musicians, novelists, poets, and playwrights.
Melvin Beaunorus Tolson (February 6, 1898 – August 29, 1966) was an American poet, educator, columnist, and politician. As a poet, he was influenced both by Modernism and the language and experiences of African Americans, and he was deeply influenced by his study of the Harlem Renaissance.
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John Thomas Biggers (April 13, 1924 – January 25, 2001) [1] was an African-American muralist who came to prominence after the Harlem Renaissance and toward the end of World War II.
It became known as Harlem Week, and would go on to draw back those who had departed. 50 years on, Harlem Week shows how a New York City neighborhood went from crisis to renaissance Skip to main ...
Historically, the term is present in African American discourses since 1895, but is most recognized as a central term of the Harlem Renaissance [2] (1917-1928). The term has a broad relevance to the period in U.S. history known as the Post-Reconstruction, whose beginnings were marked symbolically by the notorious compromise of 1877 and whose impact upon black American lives culminated in the ...
Aaron Douglas (May 26, 1899 – February 2, 1979 [1]) was an American painter, illustrator, and visual arts educator. He was a major figure in the Harlem Renaissance. [2] He developed his art career painting murals and creating illustrations that addressed social issues around race and segregation in the United States by utilizing African-centric imagery. [3]