Search results
Results from the WOW.Com Content Network
"Top Back" is a song by American rapper T.I., taken from his fourth studio album King (2006). The song, produced by Mannie Fresh , was released December 12, 2006. Remix
The album included two US number-one singles with four top-five singles overall: "Whatever You Like", Swagga Like Us" (featuring Lil Wayne, Kanye West and Jay-Z), "Live Your Life" (featuring Rihanna), and "Dead and Gone" (featuring Justin Timberlake).
"Got Your Back" is a song by American hip hop recording artist T.I., released on June 1, 2010, as the lead single (third overall) from his seventh studio album No Mercy (2010). The song features American R&B singer-songwriter Keri Hilson. T.I. wrote the song with Young Jedi, alongside the track's producer DJ Toomp.
The Grammy Award for Best Remixed Recording, Non-Classical is an honor presented to producers for quality remixed recordings at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards. [1]
The compilation, when news was originally released, was titled The Remix Suites: I–V, [4] as a fifth EP was scheduled for release October 20, with the physical release a week later on the 27th. [5] The plans were later changed to have the physical release come out on the 20th, and the last EP was presumably shelved.
"Back That Azz Up", also known as "Back That Thang Up" for a radio edit, is a song recorded by American rapper Juvenile featuring fellow American rappers Mannie Fresh and Lil Wayne. Produced by Fresh, it was released on June 11, 1999, as the second single from Juvenile's 1998 album 400 Degreez .
"Top Billin'" is a single for American hip-hop duo Audio Two, released as the B-side of the single "Make It Funky" from the album What More Can I Say? It was released before First Priority Music signed a distribution deal with Atlantic Records. The song was voted #8 in About.com's Top 100 Rap Songs. [1]
Will Hodgkinson of The Guardian opined that "Franks' rough voice, the laddish lyrics and the music's club-drenched style make the Audio Bullys seem quite tough", [3] with Oldies.com stating that "Franks adopts a vocal style somewhere between speech and song, but the music, geared by Dinsdale's sensibilities as a DJ, is propelled towards the dancefloor", going on to further describe the album ...