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Many are made from black or other darkly colored, light-absorbing material (In North America, for example, heavyweight velour is the current industry standard [1]). Theater drapes represent a portion of any production's soft goods , a category comprising any non-wardrobe, cloth-based element of the stage or scenery. [ 2 ]
A Translight or Translite is a large illuminated film backing typically used as a backdrop in the film and TV industry. The name of Translite originally came from the black-and-white display film made by the Eastman Kodak Company. Pacific Studios [1] in Los Angeles was the sole producer of Translites from about 1950 until about 1979.
Mattes are used in photography and special effects filmmaking to combine two or more image elements into a single, final image. Usually, mattes are used to combine a foreground image (e.g. actors on a set) with a background image (e.g. a scenic vista or a starfield with planets). In this case, the matte is the background painting.
Sometimes a shadow can be used to create a visual effect. Areas of the blue screen or green screen with a shadow on them can be replaced with a darker version of the desired background video image, making it look like the person is casting a shadow on them. Any spill of the chroma key colour will make the result look unnatural.
[6] [7] British and other forces have also made constant use of issued or privately purchased scrim fabric as a sort of improvised scarf that can be quickly converted into a face veil or similar. [8] [9] [10] A scrim was an integral part of the Beijing Olympic Stadium in Beijing. It was the screen running around the top of the stadium during ...
In photography, a sheet of ground glass is used for the manual focusing in some still and movie cameras; the ground-glass viewer is inserted in the back of the camera, and the lens opened to its widest aperture. This projects the scene on the ground glass upside down.
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To achieve the illusion of extra depth, often desirable if one is re-creating a sky, the cyclorama can be paired with a "sharkstooth scrim" backdrop. A dark or black scrim, by absorbing the extraneous light which is commonly reflected off the floor of the stage can further achieve deeper colors on the cyclorama.
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