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Typical loads used are 8 and 4 ohms per channel; many amplifiers used in professional audio are also specified at 2 ohms. Considerably more power can be delivered if distortion is allowed to increase; some manufacturers quote maximum power at a higher distortion, like 10%, making their equipment appear more powerful than if measured at an ...
A bridge-parallel amplifier topology is a hierarchical combination of the bridged and paralleled amplifier topologies, with at least four single-ended channels needed to produce one bridge-parallel channel. The two topologies complement each other in that the bridging allows for higher voltage output and the paralleling provides the current ...
During the same era (late 1970s) PS Audio introduced its first power amplifier, the Model One, a solid state design producing 70 watts per channel into 8 Ohms and 140 watts per channel into 4 Ohms. The design was a classic AB amplifier design featuring the company's first full 19" chassis design, large power supply, low feedback and minimalist ...
[6] [7] Indeed, it is capable of delivering 40 watts into 8 ohm, 58 watts into 4 ohm, and 72 watts into 2 ohm loads for a limited time if pushed. [8] The amplifier's main appeal was its inherent musicality, its ability to drive difficult speaker loads, and to allow audiophile grade source components to excel.
Three audio power amplifiers Rear panel of a power amplifier with 2 × 700 Watt (4 Ohm) - very similar to the topmost device in the image above - showing typical connectors for professional use: From left, symmetrical XLR-sockets for signal input, alternatively audio jack sockets, loudspeaker terminals of type Speakon (center), alternatively ...
Such loads are around 1/1000 the impedance a line out is designed to drive, so the line out is usually not designed to source the current that would be drawn by a 4 to 8 ohm load at normal line out signal voltages. The result will be very weak sound from the speaker and possibly a damaged line out circuit.
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