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La Psychologie de l'Art (The Psychology of Art) is a work of art history by André Malraux. The book offers an explication of Malraux's philosophy of art via the history of Western painting . It was originally published in three volumes: The Imaginary Museum (1947); The Artistic Creation (1948); and Aftermath of the Absolute (1949).
La Philosophie aujourd'hui; La philosophie de l'art; Goethe; Les chemins du labyrinthe; Qu'est-Ce Que Le Beau; Goethe, science et philosophie; Le "Voyage en Italie" de Goethe; La philosophie au XXème siècle. Introduction à la pensée. philosophique. contemporaine. Essai et textes, Paris, Hatier, 1988
While The Logic of Sensation is sometimes viewed as a work of art history, Deleuze's wrote that the primary motivation for creating the work was to explore the philosophy of art. He also sought to explore the conceptualization of art beyond the representation of an image. The text was translated into English by Daniel W. Smith in 2003. [2]
In 1996, she defended her thesis entitled Théorie de l’art et philosophie de la sociabilité selon Shaftesbury (Theory of Art and Philosophy of Sociability according to Shaftesbury), at Paris Nanterre University with Geneviève Brykman, her thesis director, [5] Didier Deleule, Jean-Paul Larthomas, Michel Malherbe, and Pierre-François Moreau.
Philosophy of music is the study of "fundamental questions about the nature and value of music and our experience of it". [1] The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics.
Gilles Louis René Deleuze (/ d ə ˈ l uː z / də-LOOZ; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art.
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Philippe Lacoue-Labarthe (/ l ə ˈ k uː l ə ˈ b ɑːr t / lə-KOO lə-BART, French: [laku labaʁt]; 6 March 1940 – 28 January 2007) was a French philosopher.He was also a literary critic and translator.