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' long under-robe ') A long under-kimono worn by both men and women beneath the main outer garment, [2]: 61 sometimes simply referred to as a juban. Since silk kimono are delicate and difficult to clean, the nagajuban helps to keep the outer kimono clean by preventing contact with the wearer's skin (paralleling the European petticoat).
By the mid-19th century, dressing gowns were used equally by both men and women as at-home wear. This gave men the opportunity to add color to their somber everyday wardrobe. For women, wearing a dressing gown was a break from tight corsets and layers of petticoats. Ladies wore their dressing gowns while eating breakfast, preparing for the day ...
Old Woman Reading, Rembrandt, 1655. The art collection of the Duke of Buccleuch is mostly European. The holdings, principally collected over a period of 300 years, comprise some 500 paintings, 1,000 miniatures and an enormous selection of objets d'art including furniture, porcelain, armour, jewellery and silverwork.
Young Italian men wear brimless caps, The Betrothal, c. 1470 [1] As Europe continued to grow more prosperous, the urban middle classes, skilled workers, began to wear more complex clothes that followed, at a distance, the fashions set by the elites. It is in this time period that fashion took on a temporal aspect.
[1] [2] In the Manchu tradition, the outerwear of both men and women includes a full-length robe with a jacket or a vest while short coats and trousers are worn as inner garments. [ 3 ] The Manchu people have a history of about 400 years; however, their ancestors have a history of 4000 years. [ 2 ]
Waraji over indigo-blue tabi, the sock colour digitally altered for clarity Similar four- and six-warp Chinese sandals, c. 1930 (other views). Waraji (草鞋 ( わらじ )) (Japanese pronunciation: [w̜aɺadʑi]) are light tie-on sandals, made from (usually straw) ropemaking fibers, that were the standard footwear of the common people in Japan.
A houppelande or houpelande is an outer garment, with a long, full body and flaring sleeves, that was worn by both men and women in Europe in the late Middle Ages. Sometimes the houppelande was lined with fur. The garment was later worn by professional classes, and has remained in Western civilization as the familiar academic and legal robes of ...
In Kirk Wong's 1988 gangster film Gunmen, set in 1930s Shanghai, the protagonist wears a flowing Chinese robe similar to Leone's dusters. [6] Director John Woo's 1986 A Better Tomorrow, featured Chow Yun Fat's character, nicknamed Brother Mark, wearing a duster. Following the film's release, many teenagers in Hong Kong came to wear dusters in ...
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