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The yakshi is usually shown with her hand touching a tree branch, in a sinuous tribhanga pose, thus some authors hold that the young girl at the foot of the tree is based on an ancient tree deity. [6] Yakshis were important in early Buddhist monuments as a decorative element and are found in many ancient Buddhist archaeological sites.
Makhādeva – A tree-dweller converted by the Buddha when he was still a bodhisattva ☸; Maṇibhadra – A popular figure in Hinduism, Buddhism and Jainism ॐ☸卐; Mānuṣyayakṣa – One of thirteen yakshas given in the Jain Tattvārtha Bhāṣya 卐; Mārīca – Cursed to become a rakshasa by the sage Agastya ॐ
Jains mainly maintain cult images of Arihants and Tirthankaras, who have conquered the inner passions and attained moksha. Yakshas and yakshinis are found in pair around the cult images of Jinas, serving as guardian deities. The yaksha is generally on the right-hand side of the Jina image while the yakshini is on the left-hand side. They are ...
Yakshini (Yakshi) is the female counterpart of the male Yaksha, and they are attendees of Kubera. Although Yakshinis are usually benevolent, there are also yakshinis with malevolent characteristics in Indian folklore. Kalliyankattu Neeli, a powerful demoness who was finally destroyed by Suryakaladi nambudiri.
The color of the goddess is golden. Her Vehicle is the Garuda. She has eight arms. As seen in photos, she is depicted with carrying two Chakras in upper two arms, carrying Trishula/ Vajra, bow, arrow, noose, Elephant goad and last arm as Varadamudra.
Nang Ta-khian, related to the Hopea odorata (Ta-khian tree) in Thai folklore; Nang Tani, an ambiguous female spirit who lives in the Musa balbisiana (wild banana tree) Nariphon, a tree in Buddhist mythology which bears fruit in the shape of young female creatures; Penghou, an edible dog-shaped spirit in Chinese mythology; Pi-Fang, a Chinese ...
The Didarganj Yakshi was excavated on the banks of the Ganges River, at the hamlet of Didarganj Kadam Rasual, northeast of the Qadam-i-Rasul Mosque in Patna City, on 18 October 1917 by the villagers and by the noted archaeologist and historian, Professor J N Samaddar [16] Professor Samaddar, with the help of the then president of Patna Museum Committee and member of Board of Revenue, Mr. E. H ...
Salabhanjika, Hoysala era sculpture, Belur, Karnataka, India. A salabhanjika or shalabhanjika is a term found in Indian art and literature with a variety of meanings. In Buddhist art, it means an image of a woman or yakshi next to, often holding, a tree, or a reference to Maya under the sala tree giving birth to Siddhartha (Buddha). [1]
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