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The Musée du Quai Branly – Jacques Chirac (French pronunciation: [myze dy ke bʁɑ̃li ʒak ʃiʁak]; English: Jacques Chirac Museum of Branly Quay), located in Paris, France, is a museum designed by French architect Jean Nouvel to feature the indigenous art and cultures of Africa, Asia, Oceania, and the Americas. The museum collection ...
Laura Wheeler Waring (May 26, 1887 – February 3, 1948) was an American artist and educator, most renowned for her realistic portraits, landscapes, still-life, [1] and well-known African American portraitures she made during the Harlem Renaissance. [1]
France was viewed by many African Americans as a welcome change from the widespread racism in the United States. It was then that jazz was introduced to the French, and black culture was born in Paris. African-American musicians, artists and writer (many associated with the Harlem Renaissance) found 1920s Paris ready to embrace them with open arms.
The Exhibition of American Negroes was a key development in causing much of the French populace, but especially Parisians, to have more positive racial views of African-Americans than the racial views they have towards many other people of African descent (e.g. North African Black people). [8] [12]
Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed-race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
David C. Driskell (June 7, 1931 – April 1, 2020) was an American artist, scholar and curator recognized for his work in establishing African-American Art as a distinct field of study. [1] [2] In his lifetime, Driskell was cited as one of the world's leading authorities on the subject of African-American Art. [3]
Musée Dapper was a French museum specializing in African art. It was opened in May 1986, [ 1 ] and closed on 18 June 2017. The Dapper Foundation is still located at the same premises in the 16th arrondissement of Paris at 35 rue Paul Valéry, Paris , France .
A Pastoral Visit, oil on canvas of 1881, in the collection of the National Gallery of Art. Brooke first achieved notice as a painter of genre scenes of African-American life; in 1871 and 1872, a number of such pieces were reproduced in Harper's Magazine, [9] and his first major canvas upon returning from France, A Pastoral Visit, is representative of his work in the genre. [10]
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