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The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs.
The Overture in the French style, BWV 831, original title Ouvertüre nach Französischer Art, also known as the French Overture and published as the second half of the Clavier-Übung II in 1735 (paired with the Italian Concerto), is a suite in B minor for a two-manual harpsichord written by Johann Sebastian Bach.
The Badinerie (literally "jesting" in French – in other works Bach used the Italian word with the same meaning, scherzo) has become a showpiece for solo flautists because of its quick pace and difficulty. [6] For many years in the 1980s and early 1990s the movement was the incidental music for ITV Schools morning programmes in the UK. [7]
Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
The tenth Grand Concerto in D minor has the form a baroque dance suite, introduced by a French overture: this accounts for the structure of the concerto and the presence of only one slow movement. The first movement, marked ouverture – allegro – lentement, has the form a French overture. The dotted rhythms in the slow first part are similar ...
The French Overture was designed to mark the entry of the king. [7] ... Oxford University Press. pp. ... Bach: Essays on his Life and Music. Harvard University Press.
Huebner, Steven, French Opera at the Fin de Siècle: Wagnerism, Nationalism, and Style, Oxford University Press, 2006, pp. 231–251. ISBN 978-0-19-518954-4 Smith, Steve, "Mais Oui, Mostly French, Despite Wagnerian Touches" (review of the 2008 performance by the American Symphony Orchestra), The New York Times , 7 October 2008.
Academic Festival Overture (German: Akademische Festouvertüre), [1] Op. 80, by Johannes Brahms, was one of a pair of contrasting concert overtures — the other being the Tragic Overture, Op. 81. Brahms composed the work during the summer of 1880 as a tribute to the University of Breslau , which had notified him that it would award him an ...