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The shout music tradition originated within the church music of the Black Church, parts of which derive from the ring shout tradition of enslaved people from West Africa.As these enslaved Africans, who were concentrated in the southeastern United States, incorporated West African shout traditions into their newfound Christianity, the Black Christian shout tradition emerged—albeit not in all ...
An early version of "The Welcome Table" song in Hampton and Its Students (1874) indicating it was sung by a child who was separated from his mother in slavery. The Welcome Table (also known as the I'm Gonna Sit at the Welcome Table, or River of Jordan, or I'm A-Gonna Climb Up Jacob's Ladder or God's Going to Set This World on Fire) [1] is a traditional American gospel and African American folk ...
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
The Wings of a Dove: The Story of Gospel Music in America. Norfolk: Donning, 1978. [ISBN missing] Boyer, Horace Clarence. How Sweet the Sound: The Golden Age of Gospel. Elliott and Clark, 1995. ISBN 0-252-06877-7. Broughton, Viv. Too Close to Heaven: The Illustrated History of Gospel Music. Midnight Books, 1996. ISBN 1-900516-00-4.
Today, “Strange Fruit” by Billie Holiday, “A Change is Gonna Come,” Sam Cooke and “What’s Going On,” Marvin Gaye remain relevant to Black America.
I hear music in the air (I hear music in the air) Up above my head (up above my head) I hear music in the air (I hear music in the air) I really do believe (I really do believe) There's a Heaven up there." Each additional verse is the same as the first, the word "music" replaced with another word (such as "singing," "shouting," et cetera).
She performed all types of jazz music, traditional African music, and music that was popular in Western Africa at the time. Miriam played a majority of her music in the form of " mbube ", which was "a style of vocal harmony which drew on American jazz, ragtime , and Anglican church hymns , as well as indigenous styles of music."
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