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Soprano saxophone mouthpiece. The mouthpiece of a woodwind instrument is that part of the instrument which is placed partly in the player's mouth. Single-reed instruments, capped double-reed instruments, and fipple flutes have mouthpieces while exposed double-reed instruments (apart from those using pirouettes) and open flutes do not.
Erke, wind instrument of Argentina. A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by ...
Mouthpiece of a Catalan recorder. The term fipple specifies a variety of end-blown flute that includes the flageolet, recorder, and tin whistle.The Hornbostel–Sachs system for classifying musical instruments places this group under the heading "Flutes with duct or duct flutes."
It uses a slight rolling in of both lips and touching evenly all the way across. It also uses mouthpiece placement of about 40–50% top lip and 50–60% lower lip. The teeth will be about 1 ⁄ 4 to 1 ⁄ 2 inch (6 to 13 mm) apart and the teeth are parallel or the jaw slightly forward. There is relative mouthpiece pressure to the given air column.
The recorder is a family of woodwind musical instruments in the group known as internal duct flutes: flutes with a whistle mouthpiece, also known as fipple flutes, although this is an archaic term.
Slide whistle Diagram of a slide whistle. Sections: 1: mouthpiece, 2: fipple, 3: resonant cavity, 4: slide, 5: pull rod, 6: pipe. A slide whistle (variously known as a swanee or swannee whistle, lotus flute, [1] piston flute, or jazz flute) is a wind instrument consisting of a fipple like a recorder's and a tube with a piston in it.
Drawing of the mouthpiece of an aulos. [5]There were several kinds of aulos, single or double.The most common variety was a reed instrument. [6] Archeological finds, surviving iconography and other evidence indicate that it was double-reeded, like the modern oboe, but with a larger mouthpiece, like the surviving Armenian duduk. [7]
Modern brass instruments however generally make use of the full length of the instrument for every pitch, and are therefore significantly affected by the effects of the mouthpiece and bell. These modify the instrument's resonances to closely resemble that of a conical pipe, even if the bore is mostly cylindrical.