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The following is a list of works of sculpture, architecture, and painting by the Italian Baroque artist Gian Lorenzo Bernini. The numbering follows Rudolph Wittkower's Catalogue, published in 1966 in Gian Lorenzo Bernini: The Sculptor of the Roman Baroque .
[2] Ultimately, however, the sculpture was moved to the middle of the room, where it can be seen from all angles. [9] Like Bernini's 1622 sculpture The Rape of Proserpina, Apollo and Daphne has a cartouche with a moral aphorism by Pope Urban VIII. Attributing Christian moral value to a pagan subject was a way of justifying the statue's presence ...
The Sleeping Hermaphrodite is an ancient marble sculpture depicting Hermaphroditus life size. In 1620, Italian artist Gian Lorenzo Bernini sculpted the mattress upon which the statue now lies. The form is partly derived from ancient portrayals of Venus and other female nudes, and partly from contemporaneous feminised Hellenistic portrayals of ...
Checklist of Bernini's architecture and sculpture in Rome; Gian Lorenzo Bernini - Biography, Style and Artworks; Extract on Bernini from Simon Schama's The Power of Art; Photographs of Bernini's Santa Maria Assunta; smARThistory: Ecstasy of Saint Teresa, Cornaro Chapel, Santa Maria della Vittoria, Rome Archived 13 April 2014 at the Wayback Machine
St. Peter's Baldachin (Italian: Baldacchino di San Pietro, L'Altare di Bernini) is a large Baroque sculpted bronze canopy, technically called a ciborium or baldachin, over the high altar of St. Peter's Basilica in Vatican City, the city-state and papal enclave surrounded by Rome, Italy. The baldachin is at the center of the crossing, and ...
Media in category "Sculptures by Gian Lorenzo Bernini" The following 2 files are in this category, out of 2 total. Angel - Bernini - Sant'Andrea delle Fratte.JPG 2,848 × 4,288; 6.65 MB
David is a life-size marble sculpture by Gian Lorenzo Bernini. The sculpture was one of many commissions to decorate the villa of Bernini's patron Cardinal Scipione Borghese – where it still resides today, as part of the Galleria Borghese. It was completed in the course of eight months from 1623 to 1624.
The sculpture, the first in a series of major Borghese works including the David and the Apollo and Daphne, was finished in 1622 and delivered to the Villa Borghese, whose main facade already had the myth of Proserpina depicted. [5] Bernini received at least three payments for its creation, of the value of at least 450 Roman scudi. [3]
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