Search results
Results from the WOW.Com Content Network
The Museum of Comic and Cartoon Art (MoCCA) is a not-for-profit arts organization and former museum in New York City devoted to comic books, comic strips and other forms of cartoon art. [1] MoCCA sponsored events ranging from book openings to educational programs in New York City schools, and hosted classes, workshops and lectures.
Her first cover for The New Yorker was the August 4, 1986 issue. [ 12 ] Chast has written or illustrated more than a dozen books, including Unscientific Americans , Parallel Universes , Mondo Boxo , Proof of Life on Earth , The Four Elements and The Party After You Left: Collected Cartoons 1995–2003 (Bloomsbury, 2004).
Blitt first began drawing political cartoons at the Toronto Magazine. He worked for ten years at Entertainment Weekly drawing half-page celebrity cartoons. [3]In 1993 Blitt began contributing to The New Yorker, [5] [6] Blitt's illustration work has also been featured by publications such as Vanity Fair, [7] Rolling Stone, The Atlantic and others.
Cartoonist Barry Blitt has faced controversy in the past, most notably for his cover for The New Yorker in 2008, which depicted Michelle and Barack Obama standing in the Oval Office with ...
An American artist whose work adorned the White House features in a new exhibition in Cambridge. Skip to main content. 24/7 Help. For premium support please call: 800-290 ...
The Barack Obama Presidential Center is a planned museum, library, and education project in Chicago to commemorate the presidency of Barack Obama, the 44th president of the United States. [ 2 ] [ 3 ] The center will also include community and conference facilities and will house the nonprofit Obama Foundation .
Barack Obama is the subject of graphic novel "Barack Hussein Obama" by Steven Weissman. In this, President Obama and his cast of characters (Secretary Clinton, VP Joe Biden, his family) experience life in a parallel universe. [10] Barack Obama has also appeared in Archie Comics Veronica #199, and Archie #616 and #617. [11] [12]
The painting came into the possession of Steven Spielberg, who donated it to the permanent art collection of the White House in 1994. It was displayed in the Oval Office during the administrations of Bill Clinton, George W. Bush, and Barack Obama, sometimes to the left of the President's desk, above a cabinet or table on which was displayed Frederic Remington's sculpture The Bronco Buster.