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On the review aggregator website Rotten Tomatoes, 93% of 57 critics' reviews are positive, with an average rating of 8.5/10. The website's consensus reads: "One False Move makes nary a misstep as it unfurls a seedy caper with hard-hitting action and sly humor, marking an arresting debut for director Carl Franklin."
Anthony Oliver Scott (born July 10, 1966) is an American journalist and cultural critic, known for his film and literary criticism. After starting his career at The New York Review of Books, Variety, and Slate, he began writing film reviews for The New York Times in 2000, and became the paper's chief film critic in 2004, a title he shared with Manohla Dargis.
Peter Dinklage's new movie The Toxic Avenger has premiered at Fantastic Fest 2023, earning positive reviews from critics.. A remake of the 1984 cult classic, the film from director Macon Blair (I ...
The Los Angeles Times found it "disappointing" and "somber", failing to generate any tension from its thriller elements. [7] The Globe and Mail awarded it 2.5/5 and Adam Litovitz criticised some stagy elements but praised the film as a study of character. [8] The New York Post praised the performances, saying "both characters are riveting". [9]
Lena Wilson of The New York Times gave the film a positive review and wrote, "To set expectations, it’s best to think of My Fake Boyfriend as two movies." [6] Jayne Nelson of Radio Times awarded the film three stars out of five and wrote, "There are few surprises, but a watchable cast and a gentle, wry script work wonders to keep a tired old ...
However, going by the first reviews of Genie, this may not be one to add to the all-time classics list, with the movie earning only 25% on Rotten Tomatoes. While more positive reviews suggest it ...
On Rotten Tomatoes the film has an approval rating of 25% based on reviews from 8 critics. [2] [3] The New York Times critic praised the director James DeMonaco for "adroitly weaving violence, absurdity and sentiment, even an environmental consciousness, into a modest, appealing fable", [4] while the reviewer from The New York Daily News blamed him for "wasting a strong cast in silly roles".
That’s the sort of thrill that “Don’t Move” lacks, even in its closest scene, where Iris must find a way attract this would-be killer’s attention before a raging fire burns her alive.