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In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in ...
John Cage is a prominent figure in 20th-century music, claimed with some justice both for modernism and postmodernism because the complex intersections between modernism and postmodernism are not reducible to simple schemata. [23]
The following is a list of modernist composers.. In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and ...
Pages in category "Modernism (music)" The following 24 pages are in this category, out of 24 total. This list may not reflect recent changes. ...
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Modernist classical music encompasses many styles of composition that can be characterised as post romantic, impressionist, expressionist, and neoclassical. Modernism marked an era when many composers rejected certain values of the common practice period, such as traditional tonality, melody, instrumentation, and structure. [87]
Prehistoric music encompasses that music which existed prior to any historical record. Ancient music extended from approximately 1500 BCE until the fall of Rome in 476 CE. Modernist, and Postmodernist music have been tacitly combined under the 20th century banner as defined by the calendar. However postmodernist music constitutes a separate era ...
Fabbri, Franco (1982) A Theory of Popular Music Genres: Two Applications. In Popular Music Perspectives, edited by David Horn and Philip Tagg, 52–81. Göteborg and Exeter: A. Wheaton & Co., Ltd. Frith, Simon (1996) Performing Rites: On the Value of Popular Music. Cambridge, Massachusetts: Harvard University Press.