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Art for art's sake—the usual English rendering of l'art pour l'art (pronounced [laʁ puʁ laʁ]), a French slogan from the latter half of the 19th century—is a phrase that expresses the philosophy that 'true' art is utterly independent of all social values and utilitarian functions, be they didactic, moral, or political.
Aestheticism (also known as the aesthetic movement) was an art movement in the late 19th century that valued the appearance of literature, music, fonts and the arts over their functions. [ 1 ] [ 2 ] According to Aestheticism, art should be produced to be beautiful, rather than to teach a lesson , create a parallel , or perform another didactic ...
Art for art is an international contemporary art movement. Akin to the 19th-century slogan Art for art's sake , or "l'art pour l'art," the work of art is seen as a self-sufficient product independent from the personality of its creator.
The idea of "art for art's sake" [5] began to find expression in the work of the Romantic painters like Francisco de Goya, John Constable, and J. M. W. Turner. [6] During the 19th century commercial galleries became established and continued to provide patronage in the 20th century. [7] [8]
Whistler was a leader in the Aesthetic Movement, promoting, writing, and lecturing on the "art for art's sake" philosophy. With his pupils, he advocated simple design, economy of means, the avoidance of over-labored technique, and the tonal harmony of the final result. [73]
The painting exemplified the art for art's sake movement – a concept formulated by Pierre Jules Théophile Gautier and Charles Baudelaire. First shown at the Grosvenor Gallery in London in 1877, it is one of two works (the other being Nocturne in Black and Gold – The Firewheel ) inspired by the Cremorne Gardens , a celebrated pleasure ...
Another important contribution to the formulation of Rococo aesthetics was the establishment of the concept of art for art's sake initiated by Alexander Baumgarten in 1750 and further developed by Kant in the following decade.
Nonetheless, he was one of the most influential artists of the Decadent movement (1880-1900), and a leader of the Aesthetic movement. These movements centered on the idea of "art for art's sake". [4] [5] Aubrey Beardsley, J'ai baisé ta bouche Iokanaan, illustration, The Studio, April 1893.