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In literature, the paradox is an anomalous juxtaposition of incongruous ideas for the sake of striking exposition or unexpected insight. It functions as a method of literary composition and analysis that involves examining apparently contradictory statements and drawing conclusions either to reconcile them or to explain their presence. [1]
Unity of opposites" allows for a balance of contradiction. A most basic example of the cycle of contradiction is life and death. There are contradictions that can be found in mechanics, mathematics, science, social life, etc. [ 10 ] Deborin claims that there is only difference found in the world.
One example occurs in the liar paradox, which is commonly formulated as the self-referential statement "This statement is false". [16] Another example occurs in the barber paradox, which poses the question of whether a barber who shaves all and only those who do not shave themselves will shave himself. In this paradox, the barber is a self ...
Seven Types of Ambiguity is a work of literary criticism by William Empson which was first published in 1930. It was one of the most influential critical works of the 20th century and was a key foundation work in the formation of the New Criticism school. [ 1 ]
In "Levels and Opposites: Structure in Poetry", Randall Jarrell says that "a successful poem starts in one position and ends at a very different one, often a contradictory or opposite one; yet there has been no break in the unity of the poem". [13] Such a transition is executed by the turn.
The political (rather than analytic or conceptual) critique of binary oppositions is an important part of third wave feminism, post-colonialism, post-anarchism, and critical race theory, which argue that the perceived binary dichotomy between man/woman, civilized/uncivilised, and white/black have perpetuated and legitimized societal power structures favoring a specific majority.
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The contrast of white and black (light and darkness, day and night) has a long tradition of metaphorical usage, traceable to the Ancient Near East, and explicitly in the Pythagorean Table of Opposites. In Western culture as well as in Confucianism, the contrast symbolizes the moral dichotomy of good and evil.