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The 5.3 m × 3.5 m (17 ft × 11 ft) artwork was painted in the early Tang Dynasty (642 AD) and funded by the "Zhai" family. [1] Its style is similar to that of the ancient Chinese painter Wu Daozi. The Western Paradise Illustration features the earliest and the most spectacular scenes of the Pure Land among all mural paintings in the Mogao Caves.
Sukhavati is also called the Land of Bliss or Western Pure Land and is the most well-known of the Mahayana Buddhist pure lands due to the popularity of Pure Land Buddhism in East Asia. Sukhavati is also an important postmortem goal for Tibetan Buddhists , and is a common buddhafield used in the practice of phowa ("transference of consciousness ...
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
The painting, which was at the eastern gable wall of the Main Hall of the monastery, [2] was purchased by Arthur M. Sackler and later was given to Metropolitan Museum of Art, New York, United States in 1954. [1] This painting features the Bhaisajyaguru Buddha and two Bodhisattvas, Avalokitesvara and Cintamanicakra [2] in the centre.
One of the central features of Tang art in Mogao is the representation of the paradise of the Pure Land, indicating the increasing popularity of this school of Mahayana Buddhism in the Tang era. The Western Paradise Illustration of Cave 220 is a well-preserved mural of this type.
Japanese copy of the Pure Land Taima Mandala, which depicts Sukhavati, the most popular Pure Land destination in East Asian Buddhism, hanging scroll from 1750.. Pure Land is a Mahayana Buddhist concept referring to a transcendent realm emanated by a buddha or bodhisattva which has been purified by their activity and sustaining power.
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