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Butterfly lighting, named for the butterfly-shaped shadow under the nose, the butterfly lighting pattern is created when the light is above and in line with the camera. Split lighting, where the main light is placed off to the side of the subject at about 90 degrees and positioned at face height or slightly above.
A studio portrait, showing the characteristic illuminated triangle on the darker side of the face. Rembrandt lighting is a standard lighting technique that is used in studio portrait photography and cinematography; it is also used in contrast with butterfly lighting [1] It can be achieved using one light and a reflector, [2] or two lights, and is popular because it is capable of producing ...
High-key lighting is a style of lighting for film, television, or photography that aims to reduce the lighting ratio present in the scene. This was originally done partly for technological reasons, since early film and television did not deal well with high contrast ratios , but now is used to suggest an upbeat mood.
The addition of a fourth light, the background light, makes for a four-point lighting setup. The background light is placed behind the subject(s), on a high grid, or low to the ground. Unlike the other three lights, which illuminate foreground elements like actors and props, it illuminates background elements, such as walls or outdoor scenery.
A typical three-point setup with a shoulder or back-side lamp to create contrast between the background and center object so as to give a three-dimensional appearance. The key light is the first and usually most important light that a photographer, cinematographer, lighting cameraman, or other scene composer will use in a lighting setup.
Hannah Kobayashi, from Hawaii, has been missing since she landed in Los Angeles on Friday, Nov. 8. A Hawaii woman who has been missing since she failed to board a connecting flight in Los Angeles ...
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In television, film, stage, or photographic lighting, a fill light (often simply fill) may be used to reduce the contrast of a scene to match the dynamic range of the recording media and record the same amount of detail typically seen by eye in average lighting and considered normal. From that baseline of normality, using more or less fill will ...
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