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The theory of recapitulation, also called the biogenetic law or embryological parallelism—often expressed using Ernst Haeckel's phrase "ontogeny recapitulates phylogeny"—is a historical hypothesis that the development of the embryo of an animal, from fertilization to gestation or hatching (), goes through stages resembling or representing successive adult stages in the evolution of the ...
Recapitulation. Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 58-80 Play ⓘ. [1] In music theory, the recapitulation is one of the sections of a movement written in sonata form. The recapitulation occurs after the movement's development section, and typically presents once more the musical themes from the movement's exposition.
Early examples of sonata form resemble two-reprise continuous ternary form. [1] Sonata form, optional features in parentheses [2]. The sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation.
The recapitulation theory of the atonement is a doctrine in Christian theology related to the meaning and effect of the death of Jesus Christ.. While it is sometimes absent from summaries of atonement theories, [1] more comprehensive overviews of the history of the atonement doctrine typically include a section about the "recapitulation" view of the atonement, which was first clearly ...
The simplest kind of sonata rondo form is a sonata form that repeats the opening material in the tonic at the end of the exposition and recapitulation sections. [A B' A] exp [C"] dev [A B A] recap. By adding in these extra appearances of A, the form reads off as AB'AC"ABA, hence the alternation of A with "other" material that characterizes the ...
For example, his piano quintet has the first subject in F minor, but the second subject is in C sharp minor, an augmented fifth higher. In the same work, the key scheme of the recapitulation is also altered – the second subject in the recapitulation is in F sharp minor, rather than the F minor of the first subject.
One of the ways that Beethoven extended and intensified Classical practice was to expand the coda sections, producing a final section sometimes of equal musical weight to the foregoing exposition, development, and recapitulation sections and completing the musical argument. For one famous example, see the finale of Symphony No. 8 (Beethoven).
"Jingle Bells"'s outro Play ⓘ. In music, the conclusion is the ending of a composition and may take the form of a coda or outro.. Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key.