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"Rubber Biscuit" is a novelty doo-wop song performed by the vocals-only team the Chips, who recorded it in 1956. It was covered by the Blues Brothers on their 1978 debut album, Briefcase Full of Blues, among many other artists, [1] as well as being featured in the 1973 film Mean Streets.
The Marcels, a doo-wop group, recorded the track for their album Blue Moon.In 1961, the Marcels had three songs left to record and needed one more. Producer Stu Phillips did not like any of the other songs except one that had the same chord changes as "Heart and Soul" and "Blue Moon".
Such composers as Rodgers and Hart (in their 1934 song "Blue Moon"), and Hoagy Carmichael and Frank Loesser (in their 1938 "Heart and Soul") used a I–vi–ii–V-loop chord progression in those hit songs; composers of doo-wop songs varied this slightly but significantly to the chord progression I–vi–IV–V, so influential that it is sometimes referred to as the '50s progression.
"Only You (And You Alone)" (often shortened to "Only You") is a doo wop song composed by Buck Ram, the manager of the Platters, the group that made the song famous in the US, the UK and Belgium. The Platters's lead vocals are by Tony Williams. [1]
"The Longest Time" is a doo-wop song by Billy Joel, released in 1984 as the fourth single from the 1983 album An Innocent Man. Following the theme of the album in paying tribute to Joel's musical influences, the song is presented in the style of Frankie Lymon and the Teenagers.
The Earls are one of the New York City doo-wop success stories. [3] Discovered singing on the street corner in front of subway station, the Earls took the original black doo-wop street corner harmony sound, and refined and expanded it for new audiences. The Earls were known for their "Baby Talk" styling of their background harmony riffs.
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"Gee" is a song by American R&B and doo-wop group the Crows, released in June 1953. The song has been credited as the first rock and roll hit by a rock and roll group. [1] It is a doo-wop song, written by William Davis and Viola Watkins, and recorded by the Crows on the independent label, Rama Records, at Beltone Studios in New York City in February 1953.