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In 2020, Rolling Stone named it the 16th-greatest debut single; the journalist Andy Greene noted that though Radiohead had followed "Creep" with "some of the most innovative and acclaimed music of the past 30 years", it remained their most famous song. [53] In the same year, The Guardian named "Creep" the 34th-greatest Radiohead song. [40]
The chord progression follows a sequence of C add9 –Em–Em 6 –G–G sus4 –D–D add4 –EM 6. [75] The song begins with a discordant string harmony, [77] then a strummed D ninth chord acoustic guitar played by Yorke, [78] backed by B ♭ string tunes, creating a dissonant noise that moves between the D major and F ♯ minor chords. [77]
He has been named one of the greatest guitarists by numerous publications, including Rolling Stone. Along with his elder brother, Colin, Greenwood attended Abingdon School in Abingdon near Oxford, where he formed Radiohead. Their debut single, "Creep" (1992), was distinguished by Greenwood's aggressive guitar work. Radiohead have achieved ...
Robert Christgau of The Village Voice did not recommend the album, but named "Creep" a "choice cut". [59] Rolling Stone wrote that the album's charm originates from its guitar work, song structures, melodies, and choruses that invoke a "pop appeal". [27]
Rolling Stone placed it at number 110 on its original 2003 list of the 500 Greatest Albums of All Time, at 111 in its 2012 list, [101] and at 276 in its 2020 list. [102] In 2006, it reached number 10 in a worldwide poll of the great albums organised by British Hit Singles & Albums and NME. [103] Paste named it the 11th-greatest album of the ...
In a 2013 readers' poll for Rolling Stone, Scary Monsters was voted Bowie's seventh greatest album. The magazine argued that it would be his final "satisfying from start to finish" album. [90] Scary Monsters marked the final collaboration between Bowie and Tony Visconti (pictured in 2007) for over 20 years.
"Creep" is a song recorded by American singing group TLC for their second studio album, CrazySexyCool (1994). Dallas Austin, who tried to write the track from a "female perspective", wrote and produced it. It is based on member Tionne "T-Boz" Watkins's experience with infidelity. The lyrics portray the singers as women who cheat on their ...
The ambient track "Treefingers" was created by processing O'Brien's guitar loops. [20] On "Dollars and Cents", O'Brien uses a pitch shifter pedal to shift his guitar chords from minor to major. [57] For "All I Need", he used a sustain unit and a guitar strung with four bottom E strings, creating a thicker sound. [16]
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