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Musashi Masamune, Important Art Object, Japanese Sword Museum. Katana koshirae for Musashi Masamune. Japanese Sword Museum. A peculiar work of Masamune, once in the possession of the Tokugawa Shogunate through the Kii Domain and gifted to the main Tokugawa family line in Edo in its prime. [25] It is designated as an Important Art Object. [26]
Date Masamune (伊達 政宗, DAH-tay; September 5, 1567 – June 27, 1636) was a Japanese daimyō during the Azuchi–Momoyama period through the early Edo period.Heir to a long line of powerful feudal lords in the Tōhoku region, he went on to found the modern-day city of Sendai.
Chinese dragon mythology is the source of Japanese dragon mythology. Japanese words for "dragon" are written with kanji ("Chinese characters"), either simplified shinjitai 竜 or traditional kyūjitai 龍 from Chinese long 龍. These kanji can be read tatsu in native Japanese kun'yomi, [b] and ryū or ryō in Sino-Japanese on'yomi. [c] Many ...
As the most famous Japanese print, [21] The Great Wave off Kanagawa influenced great works: in painting, works by Claude Monet; in music, [24] Claude Debussy's La Mer; and in literature, Rainer Maria Rilke's Der Berg. [21] [69] Claude Debussy, who loved the sea and painted images of the Far East, kept a copy of The Great Wave off Kanagawa in
Hokusai also changed the subjects of his works, moving away from the images of courtesans and actors that were the traditional subjects of ukiyo-e. Instead, his work became focused on landscapes and images of the daily life of Japanese people from a variety of social levels. This change of subject was a breakthrough in ukiyo-e and in Hokusai's ...
Notable among these were Famous products of the provinces (Sankai meisan zukushi, c. 1828–30)—where he incorporated Western shading and perspective and pigments—and Famous views of the Eastern capital in the early 1830s, which was certainly influenced by Hokusai's early-1830s Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei). Kuniyoshi ...
Hiroshige built on the series' success by following it with others, such as the Illustrated Places of Naniwa (1834), Famous Places of Kyoto (1835), another Eight Views of Ōmi (1834). As he had never been west of Kyoto, Hiroshige-based his illustrations of Naniwa (modern Osaka) and Ōmi Province on pictures found in books and paintings. [14]
Each tengu represents a different type: Haruka is a "black" tengu who was born as such and is more powerful than "white" Sugino, who is noted to be a former human priest who grew too arrogant and is worshipped as a mountain god. They primarily appear as humans with wings. [48]