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Cradle Tales of Hinduism (1907) is a collection of stories by Sister Nivedita. [1] It is an introduction to Hindu mythology ; the stories come from the Mahabharata , the Ramayana and other Hindu sources and are presented as they were told in Indian nurseries.
Sammohinee Ghosh of Mid-day, a Mumbai daily, states that "Kushalappa’s writing strikes the reader through its detailed and in-depth research." [3]Shweta Sharan of the Mint, a New Delhi-based publication under HT Media, states, "Keen to retell and document fables and myths from India, Nitin Kushalappa MP has collected 15 fantastic folk tales from South India in his latest book, 'Dakshin ...
Fairy tales are stories that range from those in folklore to more modern stories defined as literary fairy tales. Despite subtle differences in the categorizing of fairy tales, folklore, fables, myths, and legends, a modern definition of the literary fairy tale, as provided by Jens Tismar's monograph in German, [1] is a story that differs "from an oral folk tale" in that it is written by "a ...
Folk-Tales of Bengal is a collection of folk tales and fairy tales of Bengal written by Lal Behari Dey. [1] The book was published in 1883. The illustrations by Warwick Goble were added in 1912. [2]
A creation myth (or creation story) is a cultural, religious or traditional myth which describes the earliest beginnings of the present world. Creation myths are the most common form of myth, usually developing first in oral traditions, and are found throughout human culture.
"A Kidnapped Santa Claus" was published two years after Baum's The Life and Adventures of Santa Claus (1902), and shares its mythological cosmos: in the story as in the novel, Santa lives in the Laughing Valley on the border of the Forest of Burzee, and is assisted by Knooks, Ryls, fairies, and pixies. In modern editions the two works, novel ...
Mary Shelley described Midas as a "short mythological comic drama in verse". [13] Her efforts to publish it as a children's drama suggest that she thought of it as children's literature. At this time, "instructional" literature for children was most often written by women, who were viewed as having superior knowledge regarding the raising of ...
The love story of Sassui, who pines for her lover Punhu, is known and sung in every Sindhi settlement. Yet further examples of the folklore of Sindh include the stories of Umar Marui and Suhuni Mehar. [3] Sindhi folk singers of both sexes have played a vital role in the preservation and transmission of Sindhi folklore.